The Letter S that Changed History

I once fired a secretary because of an apostrophe. Honest. 

Now in fairness, at the time I was the director of a new science museum. It was important that all written communications come across as professional and meticulously accurate. Sadly, she had mailed form letters out numerous times with typos and mis-spellings, and, understanding her limitations, I asked her to let me read all letters before she mailed them. She didn’t do it. I liked her, but she had to go. 

I lost contact with her long ago, but my hope is that she treated that sad day as a learning experience. And distilled down to a very basic level, her personal history changed because of an ‘.

I thought of her when I started reading 1861, a magnificent book by Adam Goodheart about the first year of the American Civil War. He opens with a story about how the history of the United States pivoted because of the addition of the letter s in an order. 

No kidding: an s.

The time: December 1860, 160 years ago this month. Southern states are threatening to secede from the 73-year-old union. Many people, both in the North and the South, assume Abe Lincoln, the new president, will just let them go peacefully. 

The setting: Charleston, South Carolina; the South’s busiest Atlantic port, in the state leading the movement to secede from the Union after the election of the anti-slavery Lincoln. Charleston’s harbor is guarded by three forts designed to defend from foreign enemies, not enemies to the rear: antiquated Fort Moultrie, where Charlestonians summering on Sullivan Island stroll with their sweethearts; Fort Sumter, under construction on a man-made island and populated by a few engineers, and Castle Pinckney, which is manned by one ordinance sargeant. 

The characters: 

  • President Buchanon’s Secretary of War, John B. Floyd: duplicitous, probably corrupt, months away from committing treason and becoming a general in the Confederate army.
  • Major Robert Anderson: commander of Fort Moultrie, a Southerner, a former slaveholder, a man who takes his oath to uphold the Constitution as sacred.

Anderson barrages Washington with a flurry of letters and telegrams, describing Fort Moultrie, as indefensible. His proposed solution, evacuate to the much less vulnerable Fort Sumter. 

The War Department replies with orders to avoid provoking hostilities, but — maddeningly — never responds to Anderson’s requests to move his garrison to Fort Sumter. 

Then Anderson receives a letter from Secretary of War Floyd himself, and here I quote from 1861. “While the major ought to defend himself if attacked, he must not take this to mean that he should sacrifice his men’s lives ‘upon a mere point of honor.’ Indeed, it was neither wished nor expected in Washington that Anderson should undertake ‘a hopeless conflict in defense of these forts.’”

There it was: the letter s on the end of forts. Anderson disingenuously takes that one letter as a tacit indication that his responsibility is to all three forts. On December 26, 1860, under the cover of darkness, he evacuates his entire garrison of “64 men and a brass band” one mile across Charleston Harbor to the island that held Fort Sumter. 

Four months later, when it becomes evident that the new president will not allow the South to slip peacefully out of the union, the rebellion boils over. Rather than waltz into Fort Moultrie and force the union garrison to peacefully concede their position, the rebels are forced to make their statement by bombarding Fort Sumter. 

The bombardment instantly changes public opinion in the North. The conflict is no longer a war of words. Secession, which might have begun with a ceremonial surrender, instead begins with cannon fire. American flags break out in the North almost overnight. There is no longer any doubt about what the Union’s response will be. America is at war with itself. All because of a letter s.

Semaphore Towers

Ask most people when the era of rapid long-distance communication began, and they’ll tell you with the invention of the electric telegraph. That puts the date at 1844, when Samuel F. B. Morse sent the message “What hath God Wrought” from Washington to Baltimore and back. A mere seven years later, more than 20,000 miles of telegraph cable had been strung in the United States. Fifteen years after that, transcontinental and transatlantic service became viable. 

HOWEVER, there was a system of long-distance communication that preceded Morse’s invention. Semaphores, or optical telegraph systems, were built in 18th century France at the behest of Napoleon. Napoleon’s motivation was strictly military. With France frequently surrounded by enemies, Napoleon had to keep track of his own and his opponents’ armies. When the powers-that-be tried to make the system commercially viable, the only proposal that was accepted was transmitting the results of a state-run lottery into the hinterlands. [Go figure.]

The earliest commercial use of semaphores was in harbors. Businesspeople were eager to get the early word on a shipload of tea or mahogany or even firewood. An optical telegraph system was put in place in the Delaware Bay in 1809, giving Philadelphia merchants an advantage when speculating on incoming goods. When merchants financed a system linking Philadelphia to New York City in 1834, it took less than 15 minutes to transmit a short message the 100 hundred miles between the two cities. In 1837, Postmaster Amos Kendall endorsed a project to build semaphore towers from New York to New Orleans. New Orleans money wanted to know what the New York stock market was doing. New York merchants could more reliably speculate on cotton when they knew what a bale was going for as it sat on the dock in New Orleans. 

Those semaphore towers were never built. Instead, the electric telegraph swept the nation. It reigned supreme for thirty years or so, until the telephone muscled it aside. My point is that technological innovation has been constant in American history. For those of us who think we live in an age of unprecedented innovation, that is not entirely so. Innovation? For sure. Unprecedented? Not necessarily. 

In the first half of the nineteenth century, America witnessed the transition from canals to railroads, from ships of sail to steamboats, from water powered factories to those powered by steam engines. Each of these and hundreds of other innovations dramatically affected the daily lives of average people. 

Semaphore towers play a pivotal role in The Girl Who Blackmailed the Tsar: Book 2 of Rian Krieger’s Journey, which is awaiting publication.

Things I Do If My Writing Gets Stuck

There’s a wonderful movie called The Wife in which [alleged author] Jonathan Price locks [the real author] Glenn Close in the study until she has written some more pages. 

That would never work for me. Once I’m stuck, I’m stuck. But I know how to get myself unstuck.

The key is to provide a distraction that allows my brain to relax and free-associate. Oftentimes I return to the keyboard with a solution to my problem.

Here are my steps, from easiest to most time consuming.

  1. Go pee. I’m serious. This works half the time. 
  2. Take a shower. As I write this, it’s noteworthy that my first two solutions take place in the bathroom. No commentary. No judgement. 
  3. Go for a walk. Now, in my case, I have an advantage. My Great Dane is happy to accompany me to the beach, but somehow not disappointed if my breakthrough comes early and we turn around right away. Sidetip: Keep walking. More ideas are likely to flow and the exercise will do you good.
  4. Clean a [metaphorical] closet. It doesn’t have to be a big task. Oil a squeaky hinge. Tune up a bike. Deadhead the basil. The chances are this will break the logjam, and has the added benefit of accomplishing something. Hmm. Periodic chores, like doing the laundry, making lunch, or paying bills are too mundane and don’t work for me. Is this true for others?
  5. Do some research. This is another one of my advantages. As a writer of historical fiction, I have to root my books in historical fact. I have a stack of non-fiction books that call to me when I’m stuck.
  6. Create something. When all else fails, I put down my writing for a longer period and engage in a creative project that keeps my right brain limber. Here are pictures of two of my latest distractions.

I would like to hear from others out there. To all those engaged in a creative process: what do you do to get yourself unstuck?

The U.S.S Pennsylvania

Today is December 7, 2019, 78 years after the Japanese attack on Pearl Harbor. I take this occasion for a bit of nautical history…

There have been two battleships named U.S.S. Pennsylvania. The first Pennsylvania was a ship of the line (the term battleship was not yet in use) built in the Philadelphia Navy Yard. As it was to become the largest ship on the planet, a special shiphouse had to be built to house it while it was under construction.

Twelve years passed from the time the keel was laid until its launch on July 18, 1837. It was a monster (at the time): 212 feet long and when fully outfitted, would carry 120 guns on three gun decks.

Her launch occurred as full force of the Panic of 1837 was washing over the American economy, so people were looking for something to celebrate. An estimated 100,000 people crowded Philadelphia’s wharves and rooftops to witness the event. [This was a scene too good for me to pass up, and becomes a pivotal moment in The Girl Who Led the Mob, Book 2 of Rian Krieger’s Saga.]

The Pennsylvania was expected to be the pride of the US Navy, but two historical currents got in her way.

  • No naval wars were on the horizon.
  • When her keel was laid in 1825, only the most prescient envisioned that steam-powered ships would soon enough replace ships of sail.

The U.S.S. Pennsylvania never saw action. She sailed to Norfolk Navy Yard in Virginia and was used as a receiving ship (quite a comedown from “pride of the US Navy”) to house newly recruited sailors before they were assigned to sea duty. She was burned by Union troops at the beginning of the Civil War to prevent her from falling into Confederate hands.

The second battleship Pennsylvania was launched in March 1915 out of Newport News, Virginia. During this arms-race era, bigger/faster/more powerful battleships were being launched annually by nations who dreamed of dominating the high seas. This ship was known as a super-dreadnought. She and her sister ship, the Arizona, were constructed with “all or nothing” design, which meant that the thickest armor was placed around the most important parts of the ship, with almost no armor in other places.

Ironically, the U.S.S. Pennsylvania never saw action during World War I because her engines ran on fuel oil and only coal was available in England, where she would have had to resupply. Re-outfitted and modernized in the early 1930s, she was transferred to duty in the Pacific. The Pennsylvania was in drydock at Pearl Harbor on December 7, 1941 and thus escaped the fate of the Arizona, moored not far away. She was repaired and saw significant action from Alaska to the Philippines throughout the rest of World War II.

When researching these battleships, I was more than a little disappointed when I learned the fate of this proud ship, the second U.S.S. Pennsylvania. As the Cold War heated up, she was used as a target to test the effect of atomic bombs on fleets of ships. She was bombed twice off Bikini Atoll as part of Operation Crossroads, studied for over a year, and finally scuttled into the depths of the Pacific in 1948.

Buffalo Bill Cody

undefined One of the coolest museums I have visited recently is the Buffalo Bill Center of the West in Cody, WY. Cody was a Pony Express rider, a soldier in the Union army, a bison hunter, a scout during the Indian Wars, and a masterful showman. Whether you think of Buffalo Bill Cody as a hero or “not so much,” he is truly one of the larger than life icons of America’s 19th Century.

Buffalo Bill’s Wild West toured the United States and Europe from 1883 until well into the 20th Century. When they set up camp in Ambrose Park, NY in 1894, the cast of hundreds was able to play to 20,000 audience members at a time.

I was fascinated by the model (pictured above) of the Wild West encampment for a two of reasons.

First, his homage to the Old West made ample use of modern technology. According to the display graphics the show “contracted with Edison Illuminating Company of Brooklyn for the largest private electric plant then in use. Its dynamos powered three searchlights, 46 arc lights and nearly two thousand incandescent lamps.”

Second, although the acts played to stereotypes and usually portrayed whites as the good guys and Indians as the bad guys, he employed many Indian and African-American horsemen as re-enactors.

Go to this link for motion pictures of Cody’s Wild West in New York in 1910.

Why History Pendulum?

Why History Pendulum? The answer goes back fifty years. I had been a C+ student at Colgate University before I belatedly discovered history as the prism through which I would forever look at life.

Actually, I found Doc Reading. 

Douglas K. Reading was the most colorful lecturer a 19-year-old could ever hope for. Except for a break during World War II, he lectured at Colgate from 1938 to 1980.

When I encountered him he was already a legend. He charged into the classroom at the stroke of the hour, always dressed in a coat and tie at a time when other professors were showing up in jeans.

His smile was reminiscent of Teddy Roosevelt’s; just a hair less than a grimace. Spittle would occasionally escape through a big gap between his front teeth and shower those of us who chose to sit in the front row. He was profane, politically very incorrect, and mesmerizing.

He would place a 3×5 index card on the podium and start lecturing, rarely taking a break for 45 minutes. After class I would occasionally peek at the index cards: they never had more than 4 words, the major points to be made during the class. The rest of the lecture – names, dates, quotes, personalities, triumphs, failures – all came from his prodigious memory, and even his rants and tangents were precisely organized. My notes would always come out in perfect outline form. 

I got hooked on Doc Reading during European History 101. After that, it didn’t matter what the subject was; I tailored my class schedule around what he was offering. 102, of course. Medieval History. Ancient History.  Russian History.

Adam Smith and I were the only two who had perfect attendance in Russian Foreign Policy. Adam was my German Shepherd, who Doc tolerated because he paid attention to the lecture, just like the rest of us.  When I stuck around Colgate for a graduate year, Doc asked me to correct student historical maps, a requirement for European History 101 and 102 . To this day, I can look at a map of Europe and tell the era: the Holy Roman Empire, the Age of Napoleon, before the Great War, between WW I and WW II. 

It was Doc Reading who introduced me to the Pendulum of History. In this case, the pendulum template was placed atop the French Revolution.

………………………………………………………………………………..The Old Regime of Louis XVI – 1789

……………………………………………….Constitutional Monarchy – 1791

……………………………..Radical Revolution, Death of Louis XVI – 1793

..Reign of Terror – 1793-94

…………………………………………….Rise of Napoleon – 1799

……………………………………………………………………………The Bourbon Restoration – 1814

The lesson: To quote Isaac Newton, one of Doc’s favorites, for every action there is an equal and opposite reaction. Historical forces ebb and flow.

Get the picture?

And the pendulum of history is what intrigues me in the Age of Donald Trump. 

Here’s the question that I pose to you readers: where is the pendulum in our current era? Are we experiencing the last gasp (swing to the right) of the old America before it gets swept away by changing demographics? Or are we witnessing the restoration of white dominance after a brief flirtation with racial/gender/LGBTQ equity? 

Hopefully, when the 9 books of Rian Krieger’s Saga are published, you will see the History Pendulum at work. For more about the pendulum of history, visit this article from Time Magazine.

Thank you for reading.

RA Smith – Author, Rian Krieger’s Saga

Cranfest in the Courtyard

Last Thursday, I attended a delightful concert at the Harwich Community Center. Cranfest in the Courtyard presented folk singer Zoe Mulford, an American currently living in Manchester, England. Besides her impeccable vocals and lovely guitar and banjo playing, three things were particularly relevant to me at this time in my life. 

  • I am currently trying to tell stories in chunks of about 100,000 words, plus or minus. She crafted marvelous tales that took three minutes or so, including refrains. That was pretty humbling.
  • One of her songs described something I had never heard of, but should have, considering that my novels are set in 1840s America. “American wakes” were held by family members of Irish lads about to emigrate to the United States. They knew they were never going to see their kin again. Very poignant. 
  • Check out this video of Zoe singing her song that has since been covered by Joan Baez: The President Sang Amazing Grace. Unforgettable.

One last thing, there are two concerts left in Cranfest’s 2019 season – August 15 and 22. I highly recommend them. Bob Weiser of WOMR radio is the convivial host. 

I Introduce Myself

I’ve enjoyed every profession I’ve had. Only my first job (teaching high school history in the 1970s) and my present one (writing a series of historical novels) relate directly to my training in college. 

Everything in between falls roughly in the “fake it ‘til you make it” category. In the early 1980s, with huge community support, I started a science museum. Then for 22 years, with beloved partners, I owned a wilderness expedition program that strived to make kids stronger. My last job-for-a-paycheck was building community by leading a rural arts council in Central Pennsylvania. 

Like every good job, my professions helped me to learn more about myself and inculcated a myriad of skills both hard and soft. I believe I was successful through hard work, the good will of many people, and luck. And (and this is important), it didn’t hurt that I am white, male, heterosexual, tall, and well educated. 

Now, I come full circle in my professional life; back to history. I hope to continue learning about myself by delving into the lives of characters who are different than I. Who didn’t have the advantages that I had. Who were more capable. More challenged. Heroic.

And through this blog, I hope to draw around me a community of people who want to make the world a better place through empathy, an acknowledgement that history wasn’t only made by old white guys, and a desire to read and write some really cool stories.

Dang, this is fun.

RA Smith

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